Nate Chinen
[Copyright 2024 WRTI Your Classical and Jazz Source]
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A saxophonist of otherworldly gusto, two pianists of impulsive eloquence and a critic with a pen nearly as sharp as his ears are the latest selections for the the nation's highest honor for jazz.
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The adult contemporary star, who became a reluctant giant of smooth jazz in the 1980s, died on Sunday after a six-year battle with prostate cancer.
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The composer and percussionist was "shocked beyond belief" after hearing the news on Monday afternoon.
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A celebration too honor this year's NEA Jazz Masters award recipients, including Amina Claudine Myers, Gary Bartz, Terence Blanchard and Willard Jenkins. Watch live on Sat., April 13 at 7:30 p.m. ET.
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Two of the new Grammy categories reflect trends that are booming among musicians and the industry.
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An impromptu jam of "Compared to What" gave McCann a career-defining moment at the 1969 Montreux Jazz Festival.
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The composer, in a new collaboration with the Grammy-winning choir The Crossing, uses the words of Jeff Bezos and William Penn to explore connections among farming, colonialism and capitalism.
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Across the street from the jazz icon's home in Queens, a site of pilgrimage for fans from around the world, sits the new Louis Armstrong Center, which brings his 60,000-item archive back to the block.
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The recording made at NYC's Village Gate during the summer of 1961, when the John Coltrane quartet was joined by Eric Dolphy, was thought lost until it was discovered in the New York Public Library.
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On their debut album, the improvisational supergroup — singer Arooj Aftab, pianist Vijay Iyer and bassist Shahzad Ismaily — try to answer a musical riddle: What does listening sound like?