
Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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Fresh off of Poor Things, director Lanthimos' three-part dark comedy about domination and free will feels like a lazy and self-admiring riff — punctuated by the occasional crude shock.
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Inside Out 2 catches up with protagonist Riley at age 13, just as Anxiety enters her emotional life. But despite its many pleasures, the film lacks the emotional wallop of the original.
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You can’t immediately tell whether this film is trying to be an old-fashioned Western or a revisionist one. It was written and directed by Viggo Mortensen, who stars alongside Vicky Krieps.
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In this prequel to Mad Mad: Fury Road, Furiosa comes fully into her own as an action hero, hurling dynamite one minute and climbing up on top of the truck to fend off an attacker the next.
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The residents of a bucolic woodland community face off against a developer with big plans for the land in a film that will leave you rapt — and profoundly unnerved.
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Though it might have benefited from tighter editing, there's no denying the pleasure of this gloriously overwrought film.
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Three superb actors — Zendaya, Mike Faist and Josh O'Connor — star in this sweaty, sexy, entertaining drama about tennis stars with a very complicated past.
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This wildly original adaptation of the Henry James novella The Beast in the Jungle follows human alienation and anxiety, asking why, in every era, we disengage from life and the people around us.
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This ambitious thriller comes across as an empty stunt — a democracy dystopia that sidesteps the politics of the present moment. But Kirsten Dunst is excellent as a battle scarred photojournalist.
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Set in France, Allen's latest film covers familiar territory, including an adulterous romance, a premeditated murder and a darkly cynical consideration of the role that luck plays in human affairs.