Heller McAlpin
Heller McAlpin is a New York-based critic who reviews books regularly for NPR.org, The Los Angeles Times, The Washington Post, The Christian Science Monitor, The San Francisco Chronicle and other publications.
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Katie Roiphe's journal-like entries are a series of brief-but-potent meditations on women, autonomy, independence, and power — on "women strong in public, weak in private" — including herself.
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Teddy Wayne's new novel is a portrait of loneliness and male insecurity set against the backdrop of academia in the mid-1990s — and a precious, rent-stabilized apartment in Manhattan.
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In his latest book, Julian Barnes dives into the glittering life of Samuel Jean Pozzi, a celebrated French gynecologist who palled around with some of the brightest stars of the Belle Epoque.
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If the chances of dying in a plane crash are slim, being the sole survivor is even less likely — but that's the premise for two new novels, Ann Napolitano's Dear Edward and Rye Curtis's Kingdomtide.
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Miranda Popkey's novel tackles the complicated issues of female desire, sex and failed relationships through a troubled, unnamed narrator who reports on her conversations with a series of other women.
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Wilson's new novel centers on a young woman taking care of two kids with a disturbing ability: When upset, they burst into flames. But in Wilson's hands, what could be scary is funny, even beautiful.
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In her new novel, Jami Attenberg dives deep into the dark heart of one family over the course of one long day, as their abusive, angry patriarch lies dying in the hospital after a heart attack.
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Known for the punch of her columns, The New York Times' Gail Collins sprinkles conversational, sardonic asides throughout No Stopping Us Now in an effort to keep the decades-long hike spry.
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Ten years after her Pulitzer Prize-winning Olive Kitteridge, Elizabeth Strout returns to the town of Crosby, Maine, where ornery Olive is learning about compassion, connection, and her own self.
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Deborah Levy's new book considers themes of objectification, betrayal and focus, centered on a historian who goes to East Berlin and finds himself both the observer and the observed.